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Climate Fiction, Why it Matters

Climate fiction has recently gone viral because of the issues it is linked to: climate change and global warming. These are issues that come to the forefront of the news every time the United Nations releases its latest report on climate change through its Intergovernmental Panel on Climate Change (IPPC), igniting a debate between the climate activists and the deniers. And the debate couldn’t be more “heated” (no pun intended) than in America – most recently when the National Climate Assessment was released, confirming what scientists on the IPPC had long pointed out. Polar ice is melting, even on Antarctica, and it looks like now that there’s no turning back.

Climate fiction or “cli-fi” for short, has been drawn into the action by activists who hope that emotional cli-fi narratives will be far more effective in waking up the public to the need to reverse current trends than an IPPC string of scientific data projections. And, as reported by the New York Times, cli-fi is already put to use in some American universities to sensitize college students about environmental issues and how to handle them.

f1-ice-sheet-hi_1 ice sheets on Greenland and Antarctica are losing mass adding to global see level rise Paul Souders/Corbis in report of 2014 National Climate Assessment

Indeed, it’s no coincidence that the term cli-fi was coined by a climate activist and journalist, Dan Bloom, currently based in Taiwan (see interview on Impakter). He coined the term back in 2008, noting that a number of books that appeared to be science fiction actually addressed climate issues. His observation was subsequently confirmed by Professor Adeline Johns-Putra, chair of the Association for the Study of Literature and Environment in the UK and Ireland. She told the Financial Times that she saw this as a definite trend: until the 1990s, there were “only a handful of novels” using climate change as a setting, she said, but since 2006, some 150 have made it into print, “including at least 50 in which [climate change] is a central theme.”

The term really took off in the US when one major American scientist, Judith Curry, Chair of the School of Earth and Atmospheric Sciences at the Georgia Institute of Technology, wrote about it on her much-followed blog in 2012 (see here).  NPR  immediately interviewed her and the media gates were opened to a flood of articles, from the New York Times to the Huffington Post, the Christian Science Monitor, and the New Yorker in the US, and on the other side of the pond, the UK Guardian and the Financial Times.

All touted cli-fi as a new genre and gave their own version of what it is.

So what is climate fiction?

There is a wide range of opinions. Some see it as a sub-genre of science fiction, “essentially dystopian visions of a world decimated by climate change” (the Huffington Post) and “a subgenre of dystopian fiction set in the near future, in which climate change wreaks havoc on an otherwise familiar planet” (Wired Magazine). In short, a not-so-new form of apocalyptic literature.

Others see cli-fi as a self-standing genre (UK Guardian), even literary (Christian Science Monitor).  For Cli-Fi Books.com, a website that showcases cli-fi novels and is funded by a small press specialized in climate fiction, the definition is yet broader, and involves climate change fiction and/or science fiction and can be speculative and literary, “ not necessarily always set in the future nor always apocalyptic”, “wildly creative and inventive”, “ reactive and proactive”, “open-ended.”

It could deal with any kind of climate change, warming or cooling, in the distant future or not -so-distant, even happening now like in Barbara Kingsolver’s novel, Flight Behavior, featuring an invasion of millions of monarch butterflies in the Appalachian Mountains, surely brought on by climate change.

Or it could have a broader scope and involve eco-disaster and global collapse.

In fact, there are fiction genres that bear those names and a quick search on Amazon turns up a surprising number of titles in some of them:

  • eco-disaster fiction: 7
  • collapse fiction: 366
  • climate change fiction: 653
  • climate fiction: 741

These numbers refer to a search done in May 2014 and they are of course merely indicative of the genre’s importance, since the lists are derived from the keywords used by authors in uploading their books. Still, of all those genre names, climate fiction comes out the clear winner – though one suspects the reason for the success may have something to do with the fact that the term is short and catchy.

More to the point, the success of this new genre is clearly linked to three facts:

  1. it is widely talked about in the media and recent cli-fi books tend to be best sellers;
  2. big name authors have published cli-fi novels, not just Barbara Kingsolver but also Margaret Atwood (Maddaddam), Michael Crichton (State of Fear) and Ian McEwan (Solar);
  3. it is a fast-moving, dynamic genre attracting new, and often young writers, like Daniel Kramb with From Here, Nathaniel Rich with Odds Against Tomorrow and Paolo Bacigalupi with The Windup Girl; the latter has drawn  the attention of a major publisher, Knopf  who acquired his next novel.

At least one major publisher – Knopf – is interested and involved in the new genre.

In short, the future of climate fiction looks very promising. Although cli fi has yet to produce the Next Great Novel on the scale of Orwell’s 1984 or Aldous Huxley’s Brave New World, in due course, this will most certainly happen. Because we are all directly involved: this is the future awaiting us if nothing is done to reverse current trends.

What we need now is a cli-fi equivalent of “Big Brother is Watching YOU!”

Photo credit: Bangladesh – climate change canvas (Photo credit: Oxfam International  https:[email protected]/3057841579)

(Photo credit: Paul Souders/Corbis in report of 2014 National Climate Assessment)

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There are 9 comments

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  1. Dan Bloom

    Very good post and well done! Bravo bravissimo!

    But…halfway down the page…… you write: “So what is climate fiction?

    There is plenty of *disagreement*. ”

    There is *NO* disagreement! Cli fi is a new genre term and as a new genre term it is evolving day by day, week by week.
    But there is NO disagreement. An evolving term is evolving, that’s all. And slowly finding its own broad generation definition. But that is NOT disagreement. Perhaps you could change that word above and in future essays and change “disagreement” to something like “So what is climate fiction? There are a variety of ideas on this….”

    Do you see my point? Can fix?

  2. Dan Bloom

    Well fixed, Claude, reads much better now and thanks. Small matter but important too, Your PP article today was superb and also did not use the “disagreement” term and thanks for that fix too. The PP piece went viral today in twitter since PP has 340,000 followers. if you decide to join Paul Collins’ FB page, a private group, welcome aboard. It’s mostly a place for cli fi writers to talk shop about agents editors PR etc and reviews etc so it will be useful for you too. I am not a cli fi writer or novelist so i am not there very often. It’s a cli fi novelists community worldwide.

  3. J.Z. O'Brien

    A most helpful post explaining the #CliFi genre, and our Climate’s need for it. Thanks for supporting Cli Fi today, tomorrow’s generations will honor you for it.

    J.Z. O’Brien

    • Claude Nougat

      Thanks J.Z, I’m happy you enjoyed it! Yes, it is often the case that one can convey a message through fiction better than with streams of scientific data – probably because fiction is fun and plays on the emotions!

  4. James P. Kelly

    Thank you for this excellent and timely article. I agree that Man, Earth, and Nature need this genre as cli-fi can encompass them all and more, including the past, present, and future. Since Climate Change stands to sharply impact the futures of our species and planet, perhaps even our survival, our response to it stands to define us a species. Therefore, if not cli-fi, what? If not now, when?

    • Claude Nougat

      I agree with you, James, if not now, when? And for us writers, it is an excellent way to jump in and try to inspire people to pay attention to this vital issue – not only vital for us and our children but, as you say, the future of humankind depends on it. We simply don’t fully realize it’s happening because the process of climate change is so slow. That’s where fiction comes in: it can accelerate Time and make readers “touch” and “feel” the problem…

  5. Dan Bloom

    I had earlier asked Peter Sinclair the American cartoonist and climate activist who runs the ”Climate Denial Crock of the Week website” why felt decided to headline his post last week as INTERSTELAR IS CLI FI CLASSIC, before i wrote this piece in link below using his headline as my header too, and he told me via email: ”Why did I call it a cli fi clasffic? First of all, Director Chris Nolan has a good track record of makingeye popping, stick-in-the-mind movies, secondly, the trailer contains
    iconic scenes right out of today’s news, dust storms, wildfires, drought, etc,
    -and although there is no outright mention of climate, the dialogue makes
    clear that human survival is threatened on this planet.”

    http://www.thewrap.com/interstellar-may-be-a-cli-fi-classic-guest-blog/


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